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Alitheacreations@cox.net
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Beyond
the Word
In
1980, Nick began training at the American School for Polish Mime with
Stefan and soon was invited to join his company - Mimedance Theatre,
and Stefan's work became available to mimes with his introduction of
a school and company in New York City. Both Gregg and Nick were aware
of the wealth of information and broadening of vision this opportunity
provided to both their emerging artistic identities.
The Polish mime influence combined with the French style already being
tapped as a foundation for creating works became the premise for the
School for Mimes. The Polish influence helped engineer a course for
the School for Mimes from its inception, and certainly created a root
for the tree that soon sparked a body of work created by C. Nicholas
Johnson. Although inspired by the mastery of Stefan, Nick's work became
his own individual vision with a blending of both French and Polish
mime, and his parallel training in the dance arts.
The
Beyond the Word seminar with Stefan Niedzialkowski
[click for bio] at the Goldston &
Johnson School for Mimes is an event produced by Alithea Creations,
Nick's company, to insure an annual event where the expertise of Stefan
can be experienced by mimes in America. Stefan taught a one-week residency
at the School for Mimes in 1987, and Nick sought to re-establish a working
relationship by introducing a new seminar that began in Maine in 1997.
The success of the seminar and the realization that it would occur as
an annual event inspired Gregg and Nick to include the Beyond the Word
seminar as part of their summer program at their home in Gambier, the
home of the Goldston & Johnson School for Mime Theatre.
The one-week seminar with Stefan involves a full morning of his unique
technique from 10:00 - 1:00, beginning with a short warm-up with Nick
before Stefan starts. The training involves warm-up exercises Stefan
has created, including his popular Plastyka , an hour long sequence
of isolated and whole body movement that combines breath and specialized
movements integral to his vision of the art. The
afternoons, 2:30 - 6:00, involve dramatic applications of the techniques
being taught. Evening barbecues and dinners further bond the group in
a more social climate, exactly in the tradition of the School for Mimes.
Although one week is too short to completely grasp the unique vision
of mime that Stefan tirelessly offers during his residency in Gambier,
for those who participate the time is one of regeneration and growth,
illumination and introspection, a serious immersion into the oldest
form of human communication with a genius of the art. Stefan teaches
more than the art of mime, a consummate actor with the physical discipline
of a dancer, Stefan brings a new definition to the ancient art of theater.
Beyond the Word is mime theatre, it is about essence.
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